• Financing A Business

    The accounting equation, a fundamental identity of accounting, states that:

    Assets = Liabilities + Owner’s Equity

    A business converts debt (liabilities) and equity (owner’s equity) into assets that generate cash flows. Those on the right side of the equation make claims on this cash flow depending on the security they hold. Debt capital providers receive a coupon on their investment, while equity capital providers participate in the upside (and downside) as the owners of the business.

    With that 20-second crash course in accounting and corporate finance out of the way, the question, both practical and philosophical, every entrepreneur has to answer is how the business should be funded.

    Selecting the capital source for a business is one of the most important strategic choices an entrepreneur makes. Founders may not necessarily think through it in the way I have described above, but as Prime Minister PV Narasimha Rao said once, not taking a decision is also a decision.

    Venture capital investors are equity participants, and expect higher returns compared to public equity investors. In recent years, the terms attached to equity investment by venture investors have turned equity into a quasi-debt instrument.

    Debt financing is suitable for relatively predictable and regulated sectors, such as infrastructure and power, and it is unsuitable for riskier and innately unpredictable endeavours such as creative projects or technical innovation. Debt funding has an added advantage because interest payments are tax deductible, a provision introduced in the First World War.

    Let’s examine what’s been happening in some sectors through the financing lens:

    India e-commerce – Several e-commerce players raised very large sums of money at, it is now obvious with the benefit of hindsight, unjustifiably high valuations. These companies thought they were raising equity, but it was actually debt disguised as equity. This was not unique to Indian startups, and happened in other markets too. Venture capitalist Bill Gurley eloquently described the phenomenon as the “calcification of the cap table”. Onerous covenants on equity and the fund-raising arms race made the capital structure of many startups fragile, and the fragility has broken many companies. The calcification happened because founders chased higher and higher paper valuations. The price equity investors extracted for the high valuation was to take debt-like protections in case things went sideways. The transformation of equity into debt-like instruments was necessitated partly by the drive for higher headline valuation numbers. This is always irresponsible. Instead of fund-raising being a means to the end of building a business, fund-raising at ever-increasing valuations became an end in itself. While e-commerce startups have to do a capital raise to continue investing in the business, Amazon simply parks a chunk of the cash flows from its thriving marketplace and cloud businesses into India. Amazon is more conservatively financed than its Indian competitors and that is making a very big difference.

    India telecom – Telecom spectrum is the essential “raw material” to run a telecom business. The corruption-mired allocation of this scarce and valuable resource by the Congress-led UPA government is one of the biggest scandals in India’s history. After the scandal, it became politically difficult to not maximize revenues on auctions of telecom spectrum. The legacy players borrowed huge sums of money from government-owned banks to license spectrum. Then Reliance Industries entered the business with Jio, funding spectrum acquisition and network buildout through very large equity-funded investments. Reliance can afford to invest on this scale because of its oil refining business. That business generates huge cash flows, and Reliance is investing some of this cash into its new telecom business. In a sense, Reliance Industries is doing to legacy telecom companies what Amazon is doing to e-commerce startups. Both Amazon and Reliance are investing equity, while the others are investing debt.

    Global media and entertainment – A few months ago, Netflix issued corporate debt to fund new content. This is quite risky. Netflix’s low-rated and high-interest bonds were lapped up by investors starved of yield in the current low interest rate environment. It says something about the present environment that even though Netflix has told investors it will turn to bond markets to raise money frequently and invest the proceeds into a speculative assets like films and television shows, investors are handing over billions of dollars to the company knowing Netflix will keep burning cash. At the same time, digital music streaming startups in the US and India have raised enormous amounts of capital from private investors, probably with onerous terms attached – so these instruments may be labeled equity, but work more like debt. The problem the streaming services face is that the more money they make, the more content owners (typically large music labels and media companies) extract from them. As the intermediary, streaming services have limited bargaining power with the content owners. They are running the classic Red Queen race. The bet investors in such companies are taking is that the subscriber base can grow fast enough to a large enough scale so that eventually the economics of the model tilts in the favour of the licensee (i.e., the streaming service).

    India agriculture – Indian agriculture is woefully over-regulated. Farmers have little control over both the price they can get for produce and where they are allowed to sell their output. For decades, India has simultaneously romanticized and infantilized the farmer. Farming is simply not viewed as a business, even though it is one. As if it wasn’t enough, farmers are left to the mercy of the weather too because India has a dearth of irrigation infrastructure. About 45% of employment is in the agriculture sector. Most people (we are talking tens of millions of people) just default to agricultural employment as there are limited opportunities to do anything else in rural India. There isn’t much equity capital entering farming, as farming tends to be largely subsistence-based. Deprived of equity funding sources, farmers turn to loans from formal and informal sources. They don’t have much of an incentive to invest in productivity tools for their farms either, because of pricing and other regulatory distortions. Given the high dependence of India’s population on farming and the inefficiencies built into Indian agriculture, every now and then there is a political clamour for farm loan waivers. This is a vicious cycle, and can only be broken by structural policy reforms for the sector.

    When evaluating an investment, I find it very useful to think both backwards and forwards about how the business has been financed and how it will be financed. It reveals a lot about both the economics of the business and the management behind it.

  • Capital Intensity

    You can certainly have a situation where there’s absolutely no growth in a business and it’s a much better investment than some company that’s going to grow at very substantial rates — particularly if they’re going to need capital in order to grow. There’s a huge difference between the business that grows and requires lots of capital to do so and the business that grows and doesn’t require capital. And, generally, financial analysts don’t apply adequate weight to the difference between those. In fact, it’s amazing how little attention is paid to that.

    – Warren Buffett

  • Fragility and Systemic Failure

    When constrained systems, those hungry for natural disorder, collapse, as they are eventually bound to, since they are fragile, failure is never seen as the result of fragility. Rather, such failure is interpreted as the product of poor forecasting. As with a crumbling sand pile, it would be unintelligent to attribute the collapse of a fragile bridge to the last truck that crossed it, and even more foolish to try to predict in advance which truck might bring it down. Yet it is done all too often.

    – Nassim Nicholas Taleb, Antifragile

  • Bought, Not Sold

    What you want is products that are bought, not sold.

    – Andy Rachleff

  • Widening The Moat

    Well, I send a letter to the managers and I talk to them about widening the moat. I say it isn’t the question of the earnings per share this quarter or anything like that. Any business that has a widening moat is gonna make a lot of money over time. They are guardians of the moat. I say a great business is like an economic castle. And if you have an economic castle in capitalism, there gonna be a bunch of people that are going to try and take it away from you. So I need a knight in that castle, the manager, who worries about protecting that castle all the time. And then I want this moat around it, and I want that moat to get wider. It may be service, it may be better product design, all kinds of things. It can be what’s in their mind about the product, a consumer product. But I want that moat to be widening. And I want people to toss sharks and piranha, octopus, everything into that moat to keep away those competitors because they’re gonna be coming and our managers are charged with that. I tell our managers, pretend that this is the only business that you and your family can own for the next hundred years, you can’t sell it and you’ve got to make this one work. And that means every day thinking about what’s going to make it a great business over a 100 years.

    – Warren Buffett

  • Hindi Medium

    English medium types like me read an Oscar Wilde short story called The Model Millionaire in school. The story is about how Hughie Erskine, despite being poor, gives away whatever little he has to somebody who he thinks is an old beggar.

    Irrfan Khan-starrer Hindi Medium has elements of that story. The film portrays in stark contrast the nobility of a poor family against the pettiness of a rich couple. It conveys many truths about sections of India’s new (and old) urban elite.

    The title of the film refers to the Hindi-language education of the two main characters in the story. One of them has an inferiority complex because of an inability to speak in “proper” English. Though they are wealthy, their educational and particularly non-English language background marks them as misfits in Delhi’s high society circles. Hindi Medium is about the social dynamics of being newly rich in a still-clubby urban India, and on the social challenges faced by the urban poor.

    The film also shows how elite schools have become less about learning, and operate more like social clubs that have signaling value. It’s almost as if becoming a part of that club gives confidence – and connections – to an individual. Obviously, this is not what an educational institution should be about.

    But the confidence factor matters. Believing it’s possible to succeed is the first step to actually being able to succeed. Developing that confidence, especially when you are an “outsider”, is not easy. The insanity of school admissions shown in the film is not exaggerated. It is particularly bad in cities like Delhi, and this is a problem created by bad regulations. The shortages are manufactured, as government clamps down on supply.

    Government schools in a India are bad because teachers and administrators have no incentives to do any better. There is practically no accountability in the government school system. Consumers are choosing private schools because those schools deliver better learning outcomes for students. If they don’t deliver a good product, private schools will lose their customers. Unlike government schools, private schools go out of business, so they have a strong incentive to keep doing better.

    The Union and state governments are doing the opposite of what they should do – rather than reducing entry barriers and making it easier for new schools to enter the marketplace, large numbers of existing private schools are being shut down across India. This hurts the poor the most, as they are forced to go back to the ineffective government schooling system they finally had the chance to escape.

    The policy issues here are complex and multi-faceted, and this is where the film’s solution to the problem is wrong. Everybody sending their children to government schools will not improve those schools – for government schools to change, the incentives for those schools have to change. There needs to be accountability. There are very good reasons why the rich and poor alike wish to send their children to private schools. But I’m delighted somebody made a film like this, and that it is being watched and appreciated widely in India.

    It is a movie with a great message, delivered in an entertaining way. These lines from a song in the film capture the spirit of India’s new generation and why the new India has achieved escape velocity:

    इक जिन्दड़ी मेरी, सौ ख्वाहिशाँ

    इक इक मैं पूरी कराँ

    मुिश्कल हुमें रोकना !

  • True Creativity

    True creativity is characterised by a succession of acts each dependent on the one before and suggesting the one after. This kind of cumulative creativity led to the development of Polaroid photography.

    – Edwin Land

  • The Urgency Of Threats

    Organisms that treat threats as more urgent than opportunities have a better chance to survive and reproduce.

    – Daniel Kahneman